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4hv.org :: Forums :: Tesla Coils
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Best Camcorder / Camera for Low-Light Tesla Coil Videos

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Intra
Fri Oct 04 2013, 07:44AM
Intra Registered Member #2694 Joined: Mon Feb 22 2010, 11:52PM
Location: Russia, Volgograd (Stalingrad).
Posts: 97
nixie wrote ...

I believe sound is just as important as the video when recording tesla coil performances.

I'm using the latest hi-end Canon DSLR with an equally good lens. Although it does make for excellent low light video recordings with minimal noise/artifacts, you must use external microphones to achieve a sound recording to equal the video quality. The camera manufacturers never disclose these important details. News crews know it all too well. You can spend $2k for a good camera, and you're left with smartphone quality audio if you use their built-in microphones.
The audio noise (background hiss) level is pretty high on some cameras I looked at, so you have to research it carefully. Microphones won't fix that.

Eric's latest dubstep video was recorded using this camera along with remote studio condenser microphones on suspension stands. Placed with a spread of 20' from a 40' wide audio source. A balanced line converter at the camera converts the XLR signal to a single-ended output at the camera's remote microphone input. AGC is disabled to help recover the dynamic range that makes a coil performance so spectacular in the first place. Of course, if you're listening to it on a smartphone speaker then it does not matter ill . Headphones will provide the channel separation and bass depth of the original performance.

Hope this helps.

Jeff





That's right. You can't use camera's built-in microphone. It sensitivity can't let record sound with DRSSTC kind SPL. In my case, I use 22mm membrane condenser microphone with 48V phantom, it can be any quality, in this way it doesn't matter, after that on sound way lie ALESIS 3630 Compressor, and next is clone of clean channel of tube guitar preamp, that aslo can be any preamp, but it must be tube and clean channel, vocal preamp also will be good. After taking record it should be cleaned off reverberation. I use Cubase built-in VST Gate, because it have lowest open and close time from all vst gate I know. it's also imho, very important, when you making records of TC sound and mixing with several instruments. Unfortunately, I can't cleaned off reverberation inside "ON Time", between sound spikes, gate not so good, but, doing this, I thing it can be best way to make sound perfect. Even, if you record TC in silent room, you will have that between-spikes soundshit, because TC is the one, who making that, it's not a reverb kind but on record it sounds like reverb. After all that, I use VST compressor-limiter mastering, just for non-distortion widering and viola, mixing with video and upload on youtube.
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